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Within the practice of choreography it is far harder to identify the ‘art’ from the ‘craft’. Such recognition involves both philosophical and practical aspects. Aesthetic theory and process should be just as important to a choreographer’s training and development than the understanding of compositional structures and devices. The choreographer works with a highly symbolic art form. Since all symbols are abstractions, the process of creating a dance requires the process of abstracting.

In art, each perceiver, audience member and observer, uses his or her imagination to grasp the symbolic abstraction that the artist has presented. The specific meaning of the artwork, or symbol, is not agreed or specified but requires that the viewer interprets its form from their own frame of reference. As a example; in everyday speech, the abstract word chair refers to a class of objects that share a common property however, in art we are more concerned with one specific chair, it colour, shape and how it is used within the work. Art can be seen to come from the breaks, rifts, euphoria and gouges that are created in all experiences. Variations of the craft and technique are employed to the aesthetic form, creating art in its abstracted form.

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